Sally
Warner Bros. / First National, 1929, Color, 103 minutes, ***
Released December, 1929
Rare treat of a musical with legendary Marilyn Miller reprising her role
in the original stage production. Features some of Jerome Kern's greatest work, though some
of his songs were replaced with new tunes by Al Dubin and Joe Burke. Critics generally find
fault with the film, saying it was a "tired" story and that it was not true to the original
stage play. But, those of us who weren't around in the 1920s may find it a fascinating chance
to see one of the legendary stars of the stage singing the music of Jerome Kern from one of
his bigger hits. The only problem is, it is hard to find! Watch for it on TCM.
Producer: none credited
Director: John Francis Dillon
Screenplay: Waldemar Young (based on the stage musical by Guy Bolton and Jerome Kern)
Choreography: Larry Ceballos
Music Director: Leo F. Forbstein
Song Score: Jerome Kern; Al Dubin and Joe Burke
Art Director: Jack Okey
Costume Design: Edward Stevenson
Cinematography: Dev Jenninngs, C. Edgar Schoenbaum
Film Editing: LeRoy Stone
Awards: Academy Award nomination for Best Interior Decoration
Cast:
Marilyn Miller [Sally],
Alexander Gray [Blair Farrell],
Joe E. Brown [Connie],
T. Roy Barnes [Otis Hooper],
Pert Kelton [Rosie],
Ford Sterling ["Pops" Shendorff],
Maude Turner Gordon [Mrs. Ten Brock],
E. J. Ratcliffe [John Farquar],
Jack Duffy [The Old Roue],
Nora Lane [Marcia],
Albertina Rasch Ballet
Musical Program:
[0:11] unidentified instrumental (danced by Chorus Girls);
[0:21] Look for the Silver Lining (Alexander Gray and Marilyn Miller);
[0:27] Sally (Alexander Gray and Mens Chorus);
[0:31] Look for the Silver Lining (sung and danced by Marilyn Miller and Joe E. Brown);
[0:37] If I'm Dreaming, Don't Wake Me Up Too Soon (Alexander Gray and Marilyn Miller);
[0:44] unidentified instrumental (danced by unidentified "rubber-legged" male dancer);
[0:53] All I Want to Do Do Do Is Dance (sung and danced by Marilyn Miller);
[1:03] Wild Rose (sung and danced by Marilyn Miller and Mens Chorus in color segment);
[1:11] If I'm Dreaming, Don't Wake Me Up Too Soon (reprised by Alexander Gray and Marilyn Miller);
[1:18] Walking Off Those Balkan Blues (instrumental number danced by Marilyn Miller);
[1:25] Ziegfeld Girls parade (production number: Marilyn Miller dances, Chorus sings unidentified song)
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Sally, Irene and Mary
20th Century-Fox, 1938, B/W, 86 minutes
Released March, 1938
Sally, Irene and Mary (Alice Faye, Joan Davis and Marjorie Weaver) are Broadway hopefuls that work as manicurists in Oscar's (Barnett Parker) shop.
After climbing their way up via nightclubs, they finally get the money to put together their own show on a boat that has been converted to a floating restaurant. Of
course, love complicates everything along the way...
Producer: Darryl F. Zanuck
Associate Producer: Gene Markey
Director: William A. Seiter
Screenplay: Harry Tugend and Jack Yellen
(from a play by Edward Dowling and Cyrus Wood)
Musical Director: Arthur Lange
Song Score: Walter Bullock and Harold Spina
Choreography: Nick Castle, Geneva Sawyer
Art Direction: Bernard Herzbrun, Rudolph Sternad
Set Decoration: Thomas Little
Costume Design: Gwen Wakeling
Sound: Roger Heman Sr., Arthur von Kirbach
Cinematography: J. Peverell Marley
Film Editing: Walter Thompson
Cast:
Alice Faye [Sally Day],
Tony Martin [Tommy Randall],
Fred Allen [Gabriel (Gabby) Green],
Jimmy Durante [Jefferson Twitchell],
Joan Davis [Irene Keene],
Gregory Ratoff [Baron Zorka],
Marjorie Weaver [Mary Stevens],
Louise Hovick (aka Gypsy Rose Lee) [Joyce Taylor],
Barnett Parker [Oscar],
Mary Treen [Miss Barkow],
J. Edward Bromberg [Pawnbroker],
Eddie Collins [Captain],
Andrew Tombes [Judge],
Charles Wilson [Cafe Manager],
The Brian Sisters [Themselves],
Raymond Scott Quintet [Themselves]
Musical Program:
Got My Mind on Music (Alice Faye);
Sweet as a Song (Tony Martin);
Minuet in Jazz (danced by Alice Faye with the Raymond Scott Quintet) [Alice's dance portion cut in recent prints];
Half Moon on the Hudson (Alice Faye and Tony Martin) [cut in more recent prints];
I Could Use a Dream (Tony Martin);
This Is Where I Came In (Alice Faye);
Who Stole the Jam? (Alice Faye, Joan Davis and the Brian Sisters);
Help Wanted: Male (Joan Davis);
Hot Potata (Jimmy Durante);
Think Twice (Alice Fay) [outtake]
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San Francisco
MGM, 1936, B/W, 115 minutes, ****
Released June, 1936
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Class Act

Must See!
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Romantic drama combines with humor, starpower combines with lavish
spectacle and the walls come tumbling down! This Academy Award winning extravaganza's
street-splitting, brick-cascading, fire-raging recreation of the cataclysmic earthquake
remains "one of the greatest action sequences in the history of the cinema, rivalling the
chariot race in both Ben Hurs" (Adrian Turner, Time Out Film Guide).
Clark Gable plays rakish Barbary Coast kingpin Blackie Norton. Jeanette MacDonald portrays
a singer torn by her love for Blackie and her need to succeed among the operagoing elite.
Earning the first of nine career Best Actor Oscar nominations, Spencer Tracy is a priest
who supplements spiritual advice with a mean right hook. He urges Blackie to change. But
if love and religion can't reform Blackie, Mother Natur will.
[from back of DVD case]
This is one of those rare musicals that is loaded with music from one end to the other and has a good story to go along with it. It's the story of the 1906
San Francisco earthquake (as portrayed by MGM, which means it's mostly fiction). Technically, it's not a musical, but it sure has a lot of music in it! Jeanette MacDonald is
at her best, and this legendary film should not be missed by anyone who enjoys classic films - musical or otherwise. I mean, what a cast! Gable, Tracy and MacDonald! The
spectacular earthquake scene rivals special effects of today.
It's interesting to note that MGM made a point of hiring many down-and-out actors and crew who had not been able to make the transition from silent films to "talkies," and
many of them can be seen in the film here and there. Also, famed director D. W. Griffith helped direct the film.
The film begins with the statement: "San Francisco - guardian of the Golden Gate - stands today a queen among sea-ports - industrious, mature, respectable. But perhaps she
dreams of the queen and city she was -- splendid and sensuous, vulgar and magnificent - that perished suddenly with a cry still heard in the hearts of those who knew her,
at exactly Five-thirteen A. M. April 18, 1906." The Story begins in San Francisco on New Years Eve: December 31, 1905.
Produced by: John Emerson and Bernard H. Hyman
Director: W.S. Van Dyke II and D. W. Griffith
Screen Play by: Anita Loos
From the Story by: Robert E. Hopkins
Musical Direction: Herbert Stothart
Song: "San Franciso" by Gus Kahn, Bronislau Kaper, Walter Jurmann
Song: "Would You" by Nacio Herb Brown, Arthur Freed
Musical Score: Edward Ward
Dances Staged by: Val Raset
Opreatic Sequences Staged by: William von Wymetal
Art Director: Cedric Gibbons
Associates: Arnold Gillespie, Harry McAfee, Edwin B. Willis
Gowns by: Adrian
Recording Director: Douglas Shearer
Special Effects: James Basevi and A. Arnold Gillespie
Photographed by: Oliver T. Marsh
Montage Sequences: John Hoffman
Film Editor: Tom Held
Awards:  Academy Award for Best Sound Recording;
Academy Award nominations for Best Picture, Best Actor (Spencer Tracy), Best Director, Best Original Story, Best Assistant Director (Joseph Newman)
Cast:
Clark Gable [Blackie Norton],
Jeanette MacDonald [Mary Blake],
Spencer Tracy [Father Tim Mullin],
Jack Holt [Jack Burley],
Jessie Ralph [Mrs. Maisie Burley],
Ted Healy [Mat],
Shirley Ross [Trixie],
Margaret Irving [Della Bailey],
Harold Huber ["Babe"],
Edgar Kennedy [Sheriff],
Al Shean [Professor],
Kenneth Harlan ["Chick"],
Roger Imhof ["Alaska"],
Charles Judels [Tony],
Russell Simpson ["Red" Kelly],
Bert Roach [Freddy Duane],
Warren B. Hymer [Hazeltine],
Additional Cast:
William Ricciardi [Baldini],
Frank Mayo [Dealer],
Tandy MacKenzie [Faust],
Tudor Williams [Mephistopheles],
Spec O'Donnell [Man Praying],
Bob McKenzie [Messenger],
Adrienne d'Ambricourt [Mme. Albani],
Nigel de Brulier [Old Man],
Mae Digges,
Nyas Berry [Dancers],
John Kelly [Kelly],
James Farley [Charlie],
Pat O'Malley,
Otho Wright [Firemen],
Gertrude Astor [Drunk's Girl],
Tom Dugan [Drunk],
Vince Barnett [Drunk],
Belle Mitchell [Mary's Maid],
Fred M. Fagan [Waiter],
W. J. O'Brien [Waiter],
James Brewster,
Samuel Glasser,
John Pearson [Stooges],
Jason Robards Sr. [Father],
William "Billy" Newell [Man in Breadline],
James Macklin [Young Man],
Tom McGuire [Bartender],
Wilbur Mack [Bartender],
Harry Myers [Reveler],
Edward Hearn [Parishioner],
Henry Roquemore [Drinker],
G. Pat Collins [Bartender],
Harry Strang [Soldier],
Vernon Dent [Fat Man],
Irving Bacon [Picnicker],
Orrin Burke [Pompous Man],
David Thursby [Man],
John "Skins" Miller [Man on Stretcher],
Helen Shipman [Bit],
George Guhl [Bit Man],
Edward Earle [Bit Man],
Maude Allen [Elderly Woman],
Jack Baxley [Kinko],
Carl Stockdale [Salvation Army Man],
Anthony Jowitt [Society Man],
Jane Barnes [Girl],
Richard Carle,
Oscar Apfel,
Frank Sheridan,
Ralph Lewis [Members of Founders' Club],
Chester Gan [Jowl Lee],
Jack Kennedy [Mike],
Cy Kendall [Headwaiter],
Don Rowan [Coast Type],
Sherry Hall [Well-Wisher],
Ben Taggart [Cop],
Dennis O'Keefe [New Year's Celebrant],
Charles Sullivan [Fire Spectator],
Beatrice Roberts [Forrestal Guest],
Bruce Mitchell [Heckler],
Sidney Bracey [Burley's Butler],
Tommy Bupp [Bill],
Sam Ash [Orchestra Leader],
Bud Geary [Man Restraining Blackie after Quake],
George Magrill [Marine]
Musical Program:
[0:00] Overture: includes "San Francisco;"
[0:03] Auld Lang Syne /
(There'll Be) A Hot Time in the Old Town (Tonight) /
Hail, Hail, the Gang's All Here (played in background by Orchestra, wild partying in the streets);
[0:06] Happy New Year (excerpt sung and danced by Shirley Ross and Chorus Girls);
[0:07] Noontime (?) (excerpt sung by Ted Healy, interrupted by flying tomatoes);
[0:09] After the Ball (part of background score);
[0:10] Love Me and the World Is Mine (a few bars sung by Jeannette MacDonald, demonstrating her singing ability for Blackie);
[0:18] San Francisco (ballad version sung by Jeanette MacDonald; Blackie wants her to rag it, so she speeds up the tempo a bit);
[0:22] A Heart That's Free (sung by Jeanette MacDonald);
[0:29] The Holy City (sung by Jeanette MacDonald and Boys Choir);
[0:25] San Francisco (sung by Shirley Ross, Jeanette McDonald and Chorus at political rally);
[0:39] Would You (instrumental arrangement played by Orchestra, danced by Clark Gable and Jeanette MacDonald);
[0:42] Would You (sung by Jeanette MacDonald);
[0:56] opera excerpt * (sung by Jeanette MacDonald);
[1:00] montage of opera sequences * (sung by Jeanette MacDonald and accompanists);
[1:07] Ta-Ra-Ra-Boom-Der-E (played by Orchestra at The Paradise);
[1:21] Sempre Libera (sung by Jeanette MacDonald);
[1:23] Would You (played by Orchestra in background during dialogue);
[1:24] At a Georgia Camp Meeting (played by Orchestra, danced by Minstrels at the Chickens Ball);
[1:27] The Philippine Dance (sung by The Golden Gate Trio at the Chickens Ball);
[1:29] San Francisco (belted by Jeanette MacDonald and Audience at the Chickens Ball - rousing number!);
[1:34] The Earthquake begins
[1:50] Nearer My God To Thee (sung by Jeanette MacDonald and Chorus at a camp set up on a hill safely away from the burning city);
[1:54] Battle Hymn of the Republic (Jeanette MacDonald and Chorus as the survivors march back to town after the fire burns itself out)
*Opera Segments include:
Jewel Song (and other excerpts from the opera FAUST);
Sempre Libera (from the opera LA TRAVIATA);
Me voilà toute seule; Air des bijoux (The Jewel Song);
Soldiers' Chorus";
Il se fait tard; Anges Purs
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Saturday Night Fever
Paramount, 1977, Color, 118 minutes, ***
Released December, 1977
Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie
at the disco and they agree to dance together in a competition. Stephanie resists Tony's attempts to romance her, as she aspires to greater things; she is moving across the
river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.
Producer: Robert Stigwood
Associate Producer: Milt Felsen
Executive Producer: Kevin McCormick
Directed by: John Badham
Screenplay: Norman Wexler
Original Music by: Barry Gibb, Maurice Gibb, Robin Gibb (Bee Gees)
Dance Numbers Designed and Staged by: Lester Wilson
Production Design by: Charles Bailey
Set Decoration by: George Detitta
Costume Design by: Patrizia Von Brandenstein
Makeup Artist: Henriquez
Hair Designer: Joe Tubens
Sound: John Caper Jr., Michael Colgan
Cinematography: Ralf D. Bode
Film Editing by: David Rawlins
Cast:
John Travolta [Tony Manero],
Karen Lynn Gorney [Stephanie Mangano],
Barry Miller [Bobby C.],
Joseph Cali [Joey],
Paul Pape [Double J.],
Donna Pescow [Annette],
Bruce Ornstein [Gus],
Julie Bovasso [Flo Manero],
Martin Shakar [Frank Manero, Jr.],
Sam J. Coppola [Dan Fusco],
Nina Hansen [Grandmother],
Lisa Peluso [Linda Manero],
Denny Dillon [Doreen],
Bert Michaels [Pete],
Robert Costanza [Paint Store Customer],
Robert Weil [Becker],
Shelly Batt [Girl in Disco],
Fran Drescher [Connie],
Donald Gantry [Jay Langhart],
Murray Moston [Haberdashery Salesman],
William Andrews [Detective],
Ann Travolta [Pizza Girl],
Helen Travolta [Lady in Paint Store],
Ellen March [Bartender],
Monti Rock III [The Deejay],
Val Bisoglio [Frank Manero, Sr.]
Musical Program:
"Stayin' Alive" (performed by Bee Gees);
"Night Fever" (performed by Bee Gees);
"A Fifth of Beethoven" (adaptation of Beethoven's Fifth Symphony) (Walter Murphy);
"Disco Inferno" (performed by The Trammps);
"Salsation" (performed by David Shire);
"If I Can't Have You" (performed by Yvonne Elliman);
"Boogie Shoes" (performed by KC and The Sunshine Band);
"Manhattan Skyline" (performed by David Shire);
"More Than a Woman" (performed by Tavares, later performed by Bee Gees);
"You Should Be Dancing" (performed by Bee Gees);
"Night on Disco Mountain" (based on "Night On Bald Mountain" written by Modest Mussorgsky, performed by David Shire);
"Open Sesame" (performed by Kool and The Gang);
"K-Jee" (performed by M. F. S. B.);
"How Deep Is Your Love" (performed by Bee Gees);
"Dr. Disco" (performed by Rick Dees and His Cast of Idiots);
"Disco Duck" (performed by Rick Dees and His Cast of Idiots);
"Barracuda Hangout" (performed by David Shire);
"Calypso Breakdown" (performed by Ralph MacDonald);
"Jive Talkin'" (performed by Bee Gees);
"Lowdown" (performed by Toto)
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Say It with Songs
Warner Bros. / Vitaphone, 1929, B/W, 95 minutes
Released August, 1929
Behind bars... but still belting out a song! In Say It with Songs (1929), fate rolls snake eyes for dice-playing family man Joe Lane (Jolson). He does time
for manslaughter, then returns home where new heartaches await. Through them all, Joe relies on his gift of song to express his pain and ultimate triumph.
Produced by: Darryl Francis Zanuck
Directed by: Lloyd Bacon
Screen Play by: Harvey Gates
Dialogue by: Joseph Jackson
Based on a story by Darryl F. Zanuck
Vitaphone Orchestra Conducted by: Louis Silvers
Sound: George Groves
Photography: Lee Garmes
Film Editing: Owen Marks
Cast:
Al Jolson [Joe Lane],
Davey Lee [Little Pal],
Marian Nixon [Katherine],
Holmes Herbert [Dr. Robert Merrill],
Kenneth Thompson [Arthur Phillips],
Fred Kohler [Fred, Joe's Cellmate],
Frank Campeau [Officer],
John Bowers [Dr. Byrnes],
Additional Cast:
Ernest Hilliard [Radio Station Employee],
Arthur Hoyt [Mr. Jones],
Claude Payton [Judge]
Musical Program:
[0:00] Overture [0:00] Interesting clips of shows on an early radio station, including a number for short excerpts of various songs;
[0:27] Used to You (sung and whistled by Al Jolson);
[0:32] Little Pal (sung by Al Jolson);
[0:35] I'm in Seventh Heaven (sung by Al Jolson);
[0:43] Why Can't You (sung by Al Jolson);
[0:47] Why Can't You (reprised by Al Jolson);
[0:56] Mem'ries of One Sweet Kiss (sung by Al Jolson);
[1:00] Little Pal (sung by Al Jolson);
[1:19] Little Pal (sung by Al Jolson on record player);
[1:23] I'm in Seventh Heaven (sung by Al Jolson);
Some sources indicate the following songs are in this film. They are not in the print used to make the laserdisk:
Back in Your Own Backyard (sung by Al Jolson);
I'm Ka-razy for You (sung by Al Jolson);
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Scared Stiff
Paramount, 1953, B/W, 108 minutes
Released April, 1953
Bob Hope had done it before in the 1940's
The Ghost Breakers. But in 1953, it was Dean Martin
and Jerry Lewis' turn to make a spooktacle of themselves. They were scared silly in Scared
Stiff, the sixth screen version of a Broadway hit originally penned by Paul Dickey and
Charles W. Goddard. Of course, what mattered most to audiences was not the time-honored
storyline but the all-new spin it was given by the stars' special blend of songs and comic
mayhem. Laugh-happy moviegoers made Scared Stiff one of the year's top box-office
hits.
Film noir queen Lizabeth Scott costars, portraying the heiress who leads the lads to her
Caribbean castle. And, in her last film, Carmen Miranda joins the fun for several musical
numbers. [from back of VHS sleeve]
Produced by: Hal B. Wallis
Directed by: George Marshall
Assistant Director: C. C. Coleman, Jr.
Screenplay by: Herbert Baker and Walter DeLeon
Additional Dialogue by: Ed Simmons and Norman Lear
Based on a Play by: Paul Dickey and Charles W. Goddard ("Ghost Breakers")
Music Direction: Joseph J. Lilley
Music Score: Leith Stevens
New Songs by: Mack David and Jerry Livingston
Musical Numbers Staged by: Billy Daniel
Art Direction: Hal Pereira and Franz Bachelin
Set Decoration: Sam Comer and Ross Dowd
Costumes: Edith Head
Makeup Supervision: Wally Westmore
Sound Recording by: Hugo Grenzbach and Walter Oberst
Director of Photography: Ernest Laszlo
Special Photographic Effects: Gordon Jennings and Paul Lerpae
Process Photography: Farciot Edouart
Editorial Supervision: Warren Low
Cast:
Dean Martin [Larry Todd],
Jerry Lewis [Myron Myron Mertz],
Lizabeth Scott [Mary Carroll],
Carmen Miranda [Carmelita Castina],
George Dolenz [Mr. Cortega],
Dorothy Malone [Rosie],
William Ching [Tony Warren],
Paul Marion [Carriso Twins dual role],
Jack Lambert [Zombie],
Tom Powers [Police Lieutenant],
Tony Barr [Trigger],
Leonard Strong [Shorty],
Henry Brandon [Pierre],
Hugh Sanders [Cop on Pier],
Frank Fontaine [Drunk],
Chester Conklin [Spaghetti Victim],
Percy Helton [Hotel Guest at murder site],
Bess Flowers [Nightclub Extra],
Bob Hope [Himself],
Bing Crosby [Himself]
Musical Program:
[0:04] I Don't Care If the Sun Don't Shine (sung by Dean Martin, sung and danced by Chorus Girls);
[0:07] You Hit the Spot (sung by Dean Martin);
[0:12] What Have You Done for Me Lately? (sung by Dean Martin and Jerry Lewis);
[0:53] San Domingo (sung by Carmen Miranda and Band);
[0:55] The Bongo Bingo (sung and danced by Carmen Miranda, Dean Martin and Jerry Lewis);
[1:00] When Someone Wonderful Thinks You're Wonderful (sung by Dean Martin);
[1:12] Mama, Yo Quiero (sung by Jerry Lewis impersonating Carmen Miranda);
[1:14] The Enchilada Man (production number sung and danced by Dorothy Malone, Dean Martin, Carmen Miranda, Jerry Lewis and Chorus)
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